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Corriere della Sera (Italy) – Monica Bellucci: «Vi racconto il mio amore giovane»

«HO SOFFERTO E AMATO, LA MIA (SECONDA) VITA È BELLISSIMA»

Nella libreria della casa romana di Monica Bellucci, l’italiana più
famosa al mondo, ci sono le opere – consunte e annotate – di Simone de Beauvoir, Elsa Morante, Abraham Yehoshua, Tahar ben Jelloun, oltre che del suo concittadino Mario Capanna, nato come lei a Città di Castello, in Umbria.
Monica, lei è di sinistra?
«Sono convinta che si debba aiutare chi ha bisogno. E che si debba rispettare di più il lavoro».


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Gala Croisette (France) – Monica Bellucci

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Une scene, une seule devant la camera de Claude Lelouch, sufflt a l’actrice pour entrer dans la legende d’Un homme et une femme.
One scene, only one before Claude Leloucn’s camera does it for the actress to enter the legend of A Man and a Woman. Le soleil joue les distants, mais elle, rayonne. Dans le dernier Lelouch, comme dans la vie. Le Festival aime la Bellucci qui le lui rend bien. Depuis 2000 et la présentation hors compétition d’Under Suspicion (remake de Garde à vue), la star italienne est régulièrement venue ici, y compris comme maîtresse de cérémonie. Hier soir, elle a monté les marches avec l’ensemble de l’équipe de Les plus belles années d’une vie, la suite cinquante-trois ans après d’Un homme et une femme.
GALA: Claude Lelouch a dit : « Il fallait sa puissance pour exister si fort en si peu de temps », en évoquant votre collaboration sur ce film pas comme les autres.
MONICA BELLUCCI: La vérité est que je suis une des grands fans du film que j’avais découvert, petite en Italie. Alors travailler avec Anouk (Aimée) et J ean-Louis (Trintignant) It was a dream come nue ! J ’avais envie d’être de cette aventure et comme un copain travaillait sur la préparation, je l’ai fait savoir. J e lui ai dit que j’étais prête à juste venir et servir le café.


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Cannes 2019: Conférence de presse de LES PLUS BELLES ANNEES D’UNE VIE

Conférence de presse de LES PLUS BELLES ANNEES D’UNE VIE avec Claude LELOUCHE réalisateur, Valérie PERRIN scénariste, Anouk AIMEE actrice, Jean-Louis TRINTIGNANT acteur, Marianne DENICOURT actrice, Souad AMIDOU actrice, Antoine SIRE acteur, Monica BELLUCCI actrice.

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Entretien avec Monica Bellucci et Marianne Denicourt pour le film “Les plus belles années d’une vie”


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Legendary Chanel Muses Pay Tribute to Karl Lagerfeld

In February, the fashion world one of its most beloved figures as Karl Lagerfeld passed away at the age of 85. Lagerfeld had served as creative director of Chanel since 1983, and up until his death he was still churning out around 14 collections per year, in addition to pursuing his career as a photographer and maintaining his role as the creative director of Fendi, which he first took on back in 1965.  During that time, Lagerfeld amassed a devoted following that included everyone from Rihanna to Cindy Crawford (and her daughter Kaia Gerber, for that matter). Here, six of his muses (Ellie Bamber, Monica Bellucci, Astrid Bergès-Frisbey, Naomi Diaz, Clémence Poésy) from over the years pay tribute to the late, great designer. Monica Bellucci for W magazine –

Karl was a great artist, but I believe that in the process of creation there is always suffering and loneliness,” says the actress Monica Bellucci. “He could be very sarcastic. Of course, that’s because when you’re very intelligent you see things others don’t. Sarcasm and humor become a way of dealing with the difficulty of life.” That doesn’t mean she and Lagerfeld never traded more than barbed bons mots. She remembers the designer often alluding to the troubled, yet reverential, relationship he had with his imperiously exacting mother, and how he would occasionally offer decidedly down-to-earth advice. “The last time I saw him, not too long ago, he asked about my two kids,” Bellucci recalls. “My older daughter is at an age where she’s very impressed by cinema and fashion, which is understandable. Karl told me to be very careful in the way I exposed her to the world. I thought that was very touching—he obviously understood that this business can be the greatest, but also dangerous.(c)

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Chanel Haute Couture dress and shoes. Photograph by Angelo Pennetta; Styled by Sara Moonves.


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ELLE (Italy) – “L’amore non si spiega”, intervista sentimentale a Monica Bellucci

La magica attrazione dei corpi non ha spiegazione, ma ha il potere di trasformarci, a tutte le età. Un’intervistatrice di eccezione incontra l’attrice simbolo della bellezza italiana. Per parlare di amore, amicizia e cappelletti in brodo

Monica Bellucci è la sua voce. Così femminile, così antica, una voce bambina, forgiata da tutte le lingue che parla o nelle quali recita (italiano inglese francese spagnolo portoghese iraniano greco…), e l’accento umbro si perde in un’inflessione esotica, atemporale e apolide. Ciò che più colpisce è la freschezza. E la classicità. Monica Bellucci è la pittura italiana. Un’amorosa Madonna della Seggiola, ma anche un’inquieta Madonna di Andrea del Sarto, tutta ricci e spire.


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Marie Claire (France) – Monica Bellucci explosive

C’est une bombe latine qui nous ensorcelle de sa beauté depuis des années. Femme, actrice, mère de deux petites filles, Monica Bellucci dit que les plus belles choses lui sont arrivées à la quarantaine. Rencontre avec une femme qui, au lieu de s’effrayer des années qui passent, fait exulter son corps.

Monicca Bellucci, bien dans ses baskets

Marie Claire : Vous employez souvent le mot « libre ». Vous vous sentez plus libre aujourd’hui qu’à 20 ans ?

Monica Bellucci : Oui. J’ai moins peur, je me sens mieux dans mes baskets. J’ai choisi un métier de liberté, qui a aidé ma vie de femme. Je peux emmener mes enfants partout avec moi, les allaiter sur un plateau. Si j’ai envie de prendre cinq mois, je les prends. Ma manière de vivre m’a fait échapper aux règles de la société. J’ai une vie « border-line ». Mon instrument de travail, c’est moi. Je n’appartiens à personne. Je ne dépends de personne. Si c’est pas ça, la liberté

C’est aussi un signe de liberté d’avoir eu des enfants tardivement ? 


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